- AF performance potential limited by the choice of lens
- Some might not like flip-out screen
- No headphone jack
Fujifilm X-T4 Full Specs
|Dimensions||3.7 by 5.3 by 2.5 inches|
|Sensor Resolution||26.1 MP|
|Sensor Type||X-Trans CMOS|
|Sensor Size||APS-C (24 x 16mm)|
|Display Size||3 inches|
|Display Resolution||1.6 million dots|
|Memory Card Slots||2|
|Memory Card Format||SDXC (UHS-II)|
|EVF Resolution||3.69 million dots|
|Battery Type||Fujifilm NP-W235|
|Connectivity||Bluetooth, Wi-Fi, micro HDMI,|
Microphone (3.5mm), PC Sync, Remote (2.5mm)
Fujifilm X-T4 Price Comparison
The Fujifilm X-T4 maybe a mirrorless camera with multiple personalities – on the surface, it’s all retro dials and analog chic, but inside it’s full of more advanced features than we have seen from the other Fujifilm X-T camera thus far. It’s a compelling combination. Just like the Fujifilm X-T3 (which remains on sale), the X-T4 is for keen amateur photographers and pros who want the newest mirrorless power during a fun, desirable package. But the difference is that the X-T4 has cranked its ‘all-rounder’ dial up to 11.
The headline news
The Headline is the inclusion of in-body image stabilization (IBIS), making this only the second Fujifilm camera to possess this feature, the opposite being the Fujifilm X-H1. Both video and stills shooters can enjoy IBIS, and its inclusion here brings the X-T4 up to hurry with rivals just like the Sony A6600. The rest of the X-T4’s new features read sort of a checklist of responses to requests from Fujifilm shutterbugs: a much bigger battery (check), improved autofocus (check), and, naturally, a replacement Film Simulation effect (called Bleach Bypass).
However, these exciting additions are teamed with an equivalent sensor and processor combo as its predecessor. This leaves us asking, could you only persist with the Fujifilm X-T3? And what of the video-centric X-H1?To help clarify that, our review focuses a touch more on the X-T4’s changes and therefore the impact of these additions. For many other topics, our Fujifilm X-T3 review still applies.
What we’ll say now’s that the Fujifilm X-T4 is one heck of a camera that possesses wonderful charm and immense power under the hood. Now, quite ever, we’ve got a real photography-video hybrid from Fujifilm.
Fujifilm X-T4: Features
The Fujifilm X-T3 had numerous advanced features it had been hard to understand where to start… and therefore the X-T4 makes this harder still.
We’ll begin with the items that are equivalent. The X-T4 uses an equivalent 26.1-megapixel X-Trans sensor because of the X-T3, with an equivalent X Processor 4 image processing and therefore the same hybrid phase-detection/contrast AF system. The video specifications are largely unchanged too, but the X-T3’s 60p 4K video and 10-bit internal recording was thus far before its time – and still is – that the X-T4’s video capture remains very advanced for this market. The things that are new are mainly physical, but a minimum of as important as megapixels and autofocus points.
First, the X-T4 now has in-body image stabilization. Fujifilm first used this on its bigger and heavier X-H1 model, but the IBIS unit within the X-T4 is smaller, lighter, and more efficient – and Fujifilm claims up to six .5 stops of shake compensation even with unstabilized Fujinon prime lenses.
Second, a replacement shutter unit offers a way quieter action and a better continuous shooting speed of 15fps, compared to 11fps on the X-T3. you’ll use the electronic shutter at up to 30fps within the camera’s 1.25x crop mode, but the mechanical shutter is best suited to fast-moving subjects. The new shutter also features a much longer life – 300,000 actuation compared to 150,000 on the X-T3.
Third, there’s a replacement NP-W235 battery that gives up to 500 shots on a charge in normal mode and 600 in ‘economy’ mode. It’s almost up to DSLR standards…
But it’s an enormous improvement over the 390-shot battery lifetime of the X-T3.
Fujifilm has added another new feature to the X-T4, which is a vari-angle screen. It’s not the three .5-inch 16:9 screen seen on the Fujifilm X-A7 and X-T200, but Fujifilm says it needed to use a daily 3-inch screen to permit enough room for the D-pad controller on the rear of the camera.
Other improvements include a replacement ETERNA Bleach Bypass cinematic Film Simulation mode, a replacement autofocus algorithm for better face and eye detection, and a few revised external controls, notably a replacement Still/Video lever on the highest of the camera.
Fujifilm X-T4: Build and Handling
- The Fujifilm X-T4 is slightly larger and heavier than the X-T3.
- Built quality is very solid, though a chunkier handgrip would be nice.
- Its magnesium alloy design is still weather-resistant
Fujifilm doesn’t often make dramatic departures from its retro blueprint, and therefore the X-T4 is not any different. Let’s just say that if you’ve picked up an X-T series camera before, you’ll feel right reception here.
We have become fans of the premium Fujifilm X-T ethos. It centers around those bold analog-style dials on the highest plate. The dedicated dials are for ISO, shutter speed, and exposure indemnification.
Paired with an aperture ring constitute in many of Fujfilm’s lenses, this provides you with all the key disclosure controls at your fingertips, Not only are these dials no slower than using the fashionable generic control dials, but they’re also arguably more methodical and hands-down more charming.
If the planning of a camera entices you to use it more, then the X-T4 could rather be your constant companion. there’s definitely an emotional connection for camera fans.
Build quality is second-to-none. The X-T4’s full-metal body is weather-sealed and quite strong as a rock. With its new IBIS unit, the X-T4 may be a fraction larger and heavier than the X-T3, but at 603g it’s still much lighter compared to an enthusiast-level DSLR.
A slightly bigger handgrip houses a bigger battery unit that boasts almost double the shot lifetime of its predecessor, up to 600-shots in economy mode. It’s a big intensifier, plus you’ve got the choice of on-the-go charging via the………
A change in size also means a replacement optional vertical grip. This is up to 3 of these new batteries and features a fanatical headphone jack, which is missing on the X-T4 body. A USB-C-to-3.5mm dongle comes within the box to connect headphones, but you won’t, therefore, be ready to charge the camera at an equivalent time.
For us, the larger handgrip remains simply not large enough. The X-T4 is already a DSLR-style camera, so why not offer a good deeper grip that’s easier to hold? That said, it does depend on touch on what your favorite lenses are.
The switch under the shutter speed dial not controls metering but moves between Still or Movie shooting. Removing the metering switch will irritate some dedicated photographers, but the change makes complete sense whether you’re using the camera for photos or for video.
Because of this alteration, new dedicated menu systems are opened for both Still and Movie shooting. For instance, in Still mode, the Q menu (or ‘quick’ menu) and therefore the in-camera menu system only contains photography options. Flick to video and therefore the menus change to video options, plus the analog dials become inactive.
To make exposure changes when shooting video, you employ the front and rear clicked control dials.
These changes are often made during capture and in conjunction with the touchscreen.
We love the logical separation between the 2 disciplines and therefore the easy-to-navigate menus. What appears as a minor tweak to the planning is indeed a bold move that emphasizes the X-T4’s status as a real hybrid camera.
Now we come to the LCD touchscreen. The resolution of the 3-inch screen is upped to 1.62-million-dots, and now the unit is fully articulated as an alternative of a tilt type.
With the LCD screen flipped bent to the side, it is often rotated and viewed in ’selfie’ mode. A front-facing screen is especially useful for filmmakers that are employed alone. The screen also can be safely folded away to reveal a stunning faux leather finish. we’ve particularly enjoyed a screen-less experience and that specializes in the EVF instead.
Some say a clear screen design is more fragile than the tilt-type when flipped out. It can get within the way of the ports on the side of the camera (Fujifilm has redesigned the port covering within the X-T4 as two pull-out rubber doors), plus you’re viewing it off-center and it’s going to not be compatible with L-Bracket support.
In the context of the flagship X-T series, we’re on the fence with which screen design we prefer, but it’s no deal-breaker either way. The X-T4 screen slightly favors video, because it is a little trickier than a flip screen when shooting from the hip.
As before, the X-T4 records onto an SD card, and both slots are compatible with the ultra-fast UHS-II type that’s needed for high-speed continuous shooting and high-resolution videos.
Here’s a gallery of images we shot with a pre-production version of the X-T4 for a brief time at the launch event. We now have a full production unit for testing.
The image quality from the X-T4 is everything we’ve come to expect from Fujifilm – and that we have seen the results from this sensor before, within the X-T3, X-Pro3, and X-T30. Fujifilm’s film simulations offer a superb choice of in-camera ‘looks’ and its dynamic range expansion and shadow/highlight tone settings increase its ability to deal with high brightness ranges to the purpose where you’ll not get to shoot raw files in the least.
…are doing shoot raw, you will find Adobe Camera Raw and Lightroom give their own excellent renditions of Velvia, Astia, ACROS, and Fujifilm’s other film simulations, but our advice would be to urge the free Capture One Express for Fujifilm to ascertain just what this camera is capable of.
We’re told the autofocus is now faster, with improved face and eye-tracking, though the X-T3 did get a firmware update which boosted AF performance too, so there might not be an excessive amount of difference in practice.
The autofocus is certainly fast with Fujifilm’s latest and best lenses, though some older primes could also be a touch slower and noisier through not having equivalent high-performance AF actuators. The X-T4 proved excellent at tracking eyes and faces in our tests, though it could lose contact with sudden and erratic movements. like any autofocus system, you would like to find out the camera’s responses to urge the simplest from it and anticipate which AF mode goes to figure best in any given situation.
The 15fps burst mode is extremely impressive, though you’re happier swapping to JPEG only for extended bursts – otherwise, the camera will start to slow after just three seconds approximately.
The 6.5-stop in-body stabilization sounds great, though we didn’t get very on the brink of that figure in our tests. it’s very hooked into the lens and body combination getting used and therefore the conditions. We tried it with the Fujinon 16-55mm f/2.8 red badge lens set to 55mm at a variety of shutter speeds. 1/30sec was about as slow as we could accompany reliably sharp results, though there have been some successful shots at much slower shutter speeds, right down to 1/8sec in some instances.
Fujifilm X-T4:Image Quality
- Excellent image quality with a selection of attractive JPEG film simulation modes.
- Good DR at low ISOs and well-controlled noise at high ISO settings.
- Performance was not significantly different from existing 24MP sensors.
The X-T4 are some things of a known quantity when it involves image quality. It captures similar kinds of detail to its 24MP peers but falls behind the 32MP Canon EOS M6 Mark II, but quite good. Noise levels are broadly comparable to their peers. Its sensor size means it falls behind most full-frame rivals when shot at an equivalent F-number and shutter speed though. it is also possible that there is some noise reduction being applied within the Raws at high ISO, given how low the chroma noise appears to be in some parts of our scene.
JPEG color is that usual attractive, vibrant Fujifilm response. Yellows are pleasing, without a green tinge, greens are warm and saturated and blues haven’t any magenta tinge. Reds aren’t quite as red as Canon’s or Sony’s, which suggests pinks (and caucasian skin tones) is a small bit more magenta than its peers in Standard/Provia. The camera offers a variety of useful color modes, including Astia, which provides more flattering portraits. Less sophisticated sharpening means the JPEGs can’t match the Sony a6600 for detail emphasis, though noise reduction at higher ISOs is a very expansive job of balancing noise grip with detail retention.
There are not any real surprises in terms of dynamic range, either. The sensor may be a dual gain design that switches to its higher gain (less total DR but lower noise) setting at ISO 800. As we’d expect, this suggests the lower ISO settings are slightly noisier, when lightened, compared to the present better-optimized mode. That said, the variety between ISO 160, lightened, isn’t dramatically worse than the topical ISO 3200 result.
This suggests that even in its low gain setting, the camera isn’t adding much noise to the pictures. In turn, this suggests you’ll underexpose a coffee ISO to preserve highlight information, instead of employing a higher ISO setting, without an excessive amount of a noise penalty, otherwise you can shoot at ISO 800 mode rather than a better ISO with essentially no noise cost.
This low amount of reading noise means there’s no scope for reducing exposure and lightening shadows when you’re shooting high-contrast scenes at base ISO. The upper base ISO means the exposures aren’t totally matched here (the Fujifilm was given 1/3EV more light) than the opposite cameras and is probably going to clip highlights a fraction sooner. Overall, the message is that the X-T4 files should give many processing latitudes.
The X-T4 features an equivalent multi-shot HDR mode first introduced on the X-Pro3, this shoots, aligns, and combines three images, and tries to wipe out any movement that occurred between them. to offer itself leeway for alignment the pictures are slightly cropped-in then upscaled back to 26MP, which ends up during a slight reduction in fine detail.
The HDR mode has five settings, laid out in the menus under ‘Shooting Settings | Drive Setting | HDR Mode.’ These are 200%, 400%, 800%, and 800%+, alongside an ‘Auto’ setting that chooses from these options, supporting how bright and contrast the scene is.
Unlike many cameras’ HDR modes, the Fujifilm allows you to shoot Raw, and, instead of either merging the info or only retaining one image’s data, the complete data for all three shots appears to be retained. We’ve not yet found any software that’s ready to exploit this extra data but the camera can re-process HDR images to scale back the tonal range included within the final image; so if you discover your HDR 800% images are too low in contrast, you’ll reduce them back to HDR 200 images with a narrower range but more contrast.
Fujifilm X-T4: Video Quality
The changes between the X-T3 and X-T4 for video are noticeable and substantial. the essential video specs are equivalent, but the addition of in-body stabilization and therefore the longer battery life makes an enormous difference.
The in-body stabilization is terrific. It doesn’t do an equivalent job as a gimbal for smoothing sweeping cinematic camera movements, except for slower movements and static shooting, it’s as effective as a gimbal. The X-T4 also has DIS (digital image stabilization) which you’ll use in conjunction with the IBIS, though we didn’t see an entire lot of difference within the results. In some frames, it appeared to provide a ‘wavy’ look, but we’d got to perform more checks to be quite sure. In practice, the in-body stabilization feels effective enough to use on its own.
The changed position of the still-video lever doesn’t make much difference to usability, though it does emphasize the X-T4’s dual role. what’s useful, though, is that the way the menus switch is consistent with which of those options you’ve selected.
The new vari-angle monitor may be a big breakthrough from the old tilting screen, especially when working with a gimbal, where you’ll turn it any way you would like so as to ascertain the screen – and, of course, it flips around for once you got to film yourself. The touchscreen control is beneficial too with more ‘swipeable’ options.
The new, bigger battery is massively good for videos. The X-T2 and X-T3 tore through batteries within the past, especially when shooting 4K, but the entire video during this review was shot on one charge and therefore the battery levels were still at 80%.
However, the shortage of an external charger is annoying, especially at this price.
Yes, the X-T4 offers in-camera charging, but if you’re shooting tons of videos you will need one battery within the camera and another charging. you cannot have your camera out of action simply because you would like to charge A battery. you’ll get an external charger, that’s not a drag, but surely it could be included?
The Bleach Bypass film simulation looked interesting, but the sample video was shot on Fujifilm’s Eterna profile, which is flat enough to offer an honest overall dynamic range without having an excessive amount of post-production work. The X-T4 also comes with Fujifilm’s F-Log profile – and a handy preview choice to show you ways your log footage will look within the edit, which helps with exposure settings when shooting.
The two main benefits of the X-T4 are the very effective in-body stabilization and therefore the far better battery life.
Is the Fujifilm X-T4 is Worthy for you
The Fujifilm X-T4 is now the Best APS-C camera you’ll buy. It’s a beautiful, robust camera with analog dials that both stand out from the gang and work incredibly efficiently. this recommends it especially bids to those that adoration camera gear the most extreme sum as taking pictures.
Not that it isn’t likewise extraordinary at doing the last mentioned. Past its feel, the X-T4 flaunts unmatched photograph and video execution (in any event among APS-C cameras), ticking the entirety of the cases that matter the chief.
The X-T4 is additionally quite an X-T3 with IBIS. You get away with the higher capacity battery, a more robust shutter, and a few design changes that make complete sense for a hybrid camera.
Yes, most of the changes…
… improve video capacity. However, picture takers aren’t abandoned, profiting by that better battery life, improved adjustment for non-balanced out focal points, in addition to a menu framework and controls that are plainly recognized for the photograph or video use.
We feel that there’s enough within the X-T4 to merit the additional cost over the X-T3. Despite the fact that it’s as yet worth thinking about the last mentioned and watching its cost – if IBIS is that the principal highlight you’re after, you’ll utilize the investment funds to look for an X-T3 with a gimbal. There also are no image quality improvements apart from the impact of the X-T4’s enhanced power.
In its title, the X-T4 claims the crown of the simplest APS-C mirrorless camera you’ll buy. It’s two powerful cameras in one, both of which you will have great fun using for several years to return.