FUJIFILM X-T30 Specs
|Dimensions||3.3 by 4.7 by 1.8 inches|
|Lens Mount||Fujifilm X|
|Sensor Resolution||26.1 MP|
|Sensor Type||X-Trans CMOS|
|Sensor Size||APS-C (24 x 16mm)|
|Display Size||3 inches|
|Display Resolution||1.04 million dots|
|Memory Card Slots||1 SDXC (UHS-I)|
|Battery Type||Fujifilm NP-W126S|
|Connectivity||Wi-Fi, micro HDMI, Microphone/Remote (2.5mm), Bluetooth, USB-C|
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Fujifilm X-T30: Key Features
The Fujifilm X-T30 comes with Fujifilm’s latest 26.1MP X-Trans CMOS 4 APS-C sensor and an X-Processor Pro 4 processor said to be more than 3 times faster than the previous third-generation version within the X-T20. This new kind of sensor debuted last autumn within the X-T3, and its back-exposed design brings improved light-gathering ability and image quality.
Some of the most important changes, however, are to the autofocus system. The X-T30 now has 2.16 million phase detection pixels covering 100% of the image area. The face and eye detection are improved because of smaller and more precise tracking areas, and therefore the low-light sensitivity has been improved too – the X-T30’s AF can now add light levels as low as -3EV.
The performance of continuous shooting has been improved over the last sensor of X-T20 and it’s now possible to capture frames at 30fps with no viewfinder blackout while it uses the electronic shutter. and therefore the camera’s 1.25x crop mode. If you employ the mechanical shutter, the highest speed is 8fps. That’s impressive during a camera at this price that’s not designed specifically for sports. The Raw buffer capacity at full resolution is fantastic and modest, though at around 17-18 frames.
The X-T30 has some pretty impressive video features too. It can capture 4K UHD video at 30p, using ‘oversampled’ 6K capture downsampled to 4K for max image quality, and it also has Fujifilm’s latest ETERNA cinema film simulation mode. The X-T30 can save 4:2:0 8-bit video internally or 4:2:2 10-bit via HDMI. In 1080p it can increase to 60fps or 120fps in……
…High-speed rec mode, and it also supports the DCI 17:9 format.
The technology that’s gone into the X-T30 won’t be enough to tempt any employers of the old X-T20 to upgrade., but anyone trying to find the simplest sub-£1,000/$1,000 camera you’ll buy immediately may have just found it.
Fujifilm X-T30: Building and handling
The X-T30 looks almost just like the previous X-T20, though the LCD is 1.3mm thinner and there’s a revised grip shape for better handling. There are differences on the rear, too. The four-way directional buttons on the previous camera are gone, replaced by a replacement Focus Lever which also handles menu navigation. It makes the rear of the camera much less cluttered and you would possibly hardly miss the buttons in the least. As most everyday camera settings are often accessed even as quickly via the Q menu anyway.
The interactive Q(quick) display works rather well. But the button placement caused us some issues. It’s the right thumb grip and it’s too easy to press accidentally as you’re taking the camera out of a bag or maybe raising it to your eye – the Q screen pops upright once you don’t want it and you’ve got to cancel it before you’ll take an image. You’ll probably adapt and shift your grip unconsciously to avoid this, but it might be annoying within the short term.
The rear screen features a tilt action but no sideways tilt, so it’s great for low or high-angle shots with the camera held horizontally, but not so good for vertical shots, where you’ve got to urge yourself at eye level with the screen.
The X-T30 keeps Fujifilm’s characteristic control layout, though, with a shutter speed dial on the highest of the camera and lens aperture rings on some (but not all) lenses. Fujifilm’s prime lenses and ‘red badge’ zooms have aperture rings, but the 18-55mm f/2.8-4 kit lens features a switch for auto/manual aperture control and an unmarked aperture ring for the latter.
This means there’s no…..
….mode dial and you achieve the standard program AE, aperture-priority, shutter-priority, and manual modes using combinations of manual settings and therefore the ‘A’ settings on the shutter speed and aperture dials. For some, this is often getting to be a welcome return to how cameras actually want to work! For others raised on mode dials and command dials, it’d take a touch of getting won’t to.
- The touchscreen is clear and works well
- EVF magnification somewhat disappointing
- The camera remains operational throughout the burst shooting
Two areas where the Fujifilm X-T30 has been improved from the X-T3 are its LCD screen and electronic viewfinder. The LCD screen has equivalent 3-inch dimensions and 1.04 million dots because of the X-T3’s, although it can only be tilted up and down, instead of over three axes as on the X-T3. Some may have preferred a screen that will face the front. Of course, the screen performs well, remaining quite clear in bright light. it is also nice and sensitive to light presses, whether you’re getting the main target point, rummaging through images, or adjusting options within the Q menu.
…because the 3.69 million-dot EVF from the X-T3 would be here. We do not expect it, and therefore the X-T30’s 2.36 million-dot ‘finder is perfectly adequate for a camera of this level. it is a good performer for a camera of this class, with an honest level of detail and clarity, although its 0.62x magnification is simply touched on the low side.
The camera can capture 15 to 16 raw and JPEG frames at its maximum 8fps burst rate, with a rather laggy feed maintained on the LCD or within the viewfinder. Although it takes an honest 12 seconds to write down these to a quick UHS-I memory card. Were the X-T30 to support UHS-II cards, this might rather be a touch speedier. Although what’s great to ascertain is that the camera remains almost fully operational while files are being written, which is not the case on many other cameras.
When set to shooting Fine JPEGs on their own, the camera appears to last for around 147 frames at an equivalent speed. which may not sound as impressive because the ‘until the cardboard is full’ claims made for a few other cameras. But the typical user will rarely get to capture more the 147 JPEGs in one go.
- Great colors in JPEGs
- Excellent 4K video quality
- Low noise, even at higher ISO settings
With the X-T30 using an equivalent sensor and processing engine because of the X-T3, image quality is simply nearly as good here. This is often only the second model to profit from the 26.1MP back-illuminated sensor, and it does an honest job of keeping image noise low and details high as you increase sensitivity – even images captured at ISO6400 retain excellent detail, and most of the small noise there are often removed.
…is additionally excellent at lower sensitivities. In practice, you’ll underexpose a scene by the utmost of three stops allowed on the exposure compensation dial (until you employ the C mode, which increases it to 5 stops) and still be ready to mention the shadows to the proper level in post-production without too great a penalty in terms of detail loss or noise.
If you’re wont to pushing and pulling raw files from full-frame cameras you’ll find there’s not quite an equivalent flexibility here, but Fujifilm is clearly pushing expectations on what is often achieved with an APS-C sensor. alongside fast glass and effective image stabilization, this is often still a camera that will be used well when lighting conditions aren’t at their best.
Fujifilm’s Film Simulation modes cover most eventualities, from the Standard/Provia option for everyday use and therefore the Astia option for a satisfying softness for natural subjects, and Velvia once you need more punch, through to varied Black and White options. The Standard/Provia mode is that the default, producing natural but pleasingly optimized colors. the standard of JPEGs straight out of the camera makes them suitable for immediate use.
The Cool and Warm Monochrome Adjustment options, which were first seen on the X-T3 have also made the cut here. Both options are often set to at least one of nine intensities which are especially welcome within the case of the latter because the Sepia Film Simulation option is often a touch too brash. The pictures below show what these Cool and Warm options appear as if compared with an attempt captured on the quality Black & White Film Simulation mode.
The ability to process…
…raw files in-camera enables you to quickly make print- or web-friendly alternative versions of images you’ve already captured and therefore the setup we’ve here are the same as what we’ve become won’t to on previous X-series models. While relatively complete in what processing options it offers. Its implementation might be better – for instance in order that you’ll preview the consequences of changes as you create them in real-time (which other cameras do very well).
The level of control you’ve got over video is high, and this is often generally matched by solid results. Videos captured in either 4K DCI or 4K UHD quality show excellent detail and natural motion and therefore the stabilization system from the lens does well to stay footage steady. It did particularly well when shooting from a moving vehicle managing to iron out the worst of the bumps and jerks. Slow-motion footage captured at 120p is additionally very pleasing albeit it’s a touch softer and susceptible to noise.
There’s a little rolling shutter noticeable when panning the camera, although this is often generally all right controlled. Audio is additionally very respectable from the built-in microphones although the camera is simply as vulnerable to wind noise as any others using their built-in microphones, so it is a good idea to stay the Wind Filter setting on.
Changes made to focus while recording is applied smoothly and quickly – and this is often where you actually appreciate having a touchscreen. Changes to exposure also are nice and smooth when the aperture turn on the lens is about to ‘A’ – otherwise, the camera adjusts aperture in noticeable steps as lighting conditions change, which does not look as professional.
High 4k Video Quality
Fujifilm has certainly stepped up its video quality over several years. It started with the X-H1 ($1,699.00 at Amazon), still the sole X camera with in-body stabilization. The primary two clips in our video below were shot with the 16mm F2.8 lens. Which does not have stabilization, while the remainder were with the stabilized 100-400mm. Everything was shot handheld.
The X-T30 doesn’t quite match the X-H1 or X-T3 in features, although it isn’t far away. Its internal recording is restricted to 4:2:0 at 8-bit quality though its HDMI port carries a clean 4:2:2 10-bit signal so pro-level, external recording is an option.
The X-T3 can…
…do 10-bit internally, and it also supports 60fps capture at 4K—the X-T30 tops out at 30fps when recording in 4K UHD or DCI resolution. Despite some limitations in comparison with its pricier siblings. The X-T30 is extremely capable, albeit it doesn’t have IBIS. It supports 4K video recording at up to 200Mbps but does limit clips to 10 minutes. you can also record at 1080p for up to fifteen minutes continuously. If recording long-form clips are required, the Sony a6400 is in a position to record continuously until it runs out of battery or your memory card fills up.
There are a variety of video profiles available, including all the equivalent film looks for shooting stills. The camera does have Eterna, which was specially introduced with the X-H1 and that is targeted for video use. It also features a flat profile, F-Log, which is out there for both internal and external recording.
Is the Fujifilm X-T30 worthy for you?
The X-T20 was a well-liked model for a reason, and it’s hard to ascertain why the X-T30 should not be destined for an equivalent quiet appreciation. Whether you’re an enthusiast trying to find a backup body or you are taking your next steps from a more junior model, the X-T30 packs enough under its skin to please its audience.
The new sensor is dependable and therefore the processor speedy, while the changes to autofocus and burst shooting (including the Sports Finder mode) could also be less sexy on paper, but they’re precisely the type of things that make a difference to everyday shooting. It is also nice to ascertain numerous small things that tend to harass other cameras not being a problem here, which may be a testament to how thoroughly Fujifilm pays attention to details big and little.
Video recording is another strength, with reference to both what’s on offer – 4K DCI and UHD F-Log shooting, then on – and therefore the camera’s output. If you are looking to urge into video. it’s hard to consider another camera that will offer quite an equivalent comprehensive suite of options and quality output for this type of cash.
The fact that Fujifilm has…
…managed to pack such a lot into a camera this small is impressive indeed, although size is additionally what works most against the X-T30. Clearly, there is no space for sensor-based image stabilization (although you are doing enjoy this with OIS lenses) and therefore the viewfinder’s 0.62x magnification is definitely beaten by even older, cheaper models.
There’s also not much of an edge, and positively not enough for larger-handed users or to supply enough support for extended and heavier lenses, and a few of the controls inevitably find themselves being just a touch too fiddly on such a little body. Ultimately, you finish up coming away with the impression that so as to form the camera as small as possible, usability has had to be compromised.
This is a shame because the camera is otherwise a stellar competitor at this level. With a superb level of features for the worth, great build quality, and dependable performance within the areas where it matters the foremost, this is often clearly one among the foremost capable mid-range mirrorless cameras on the market immediately.