Canon EOS R5 Review Specs
|Dimensions||3.8 by 5.4 by 3.5 inches|
|Sensor Size||Full frame (36 x 24 mm)|
|HDMI||Yes (micro HDMI)|
|ISO||Yes, 100-51200 (expands to 102400)|
|Storage||CFexpress and SD (UHS-II) slots|
Canon EOS R5 Deals
A lot went on within the camera world since we first The Canon EOS R5 Review in June 2021 and labeled it ‘Canon’s best ever stills camera’.
That statement still stands and therefore the EOS R5 remains Canon’s finest mirrorless camera thus far. But with the Sony A7S III and Sony A1 nowhere, and Canon responding with firmware updates for the EOS R5 and therefore. The announcement of the Canon EOS R3, is it already on the verge of being overshadowed?
Not quite yet. We’ve tested the Canon EOS R5’s firmware upgrades, and that they improve the camera and smooth its rough edges. Albeit without fundamentally changing its character. It is a fantastic stills camera, one among the best you’ll buy, but the decision on its video skills may be a little more nuanced.
In short, if the video is your priority, you ought to test out the Canon EOS R5 in situations that are as close as possible to your real-world workflow. Those looking to shoot long, extended takes could be better served by the Sony A7S III. But if you check out the Canon EOS R5 as a stills camera that you’re going to occasionally use to shoot high-quality video. You will probably never run into any overheating problems.
For still photographers, though, there’s not much wrong with the Canon EOS R5. The mixture of a next-generation autofocus system, excellent image quality, and fast 12fps/20fps continuous shooting means this is often a camera that’s even as comfortable (and capable) in professionally lit studios because it is shooting breaking news stories at dusk.
The EOS R5’s autofocus deserves a special mention. Its eye detection is incredibly accurate and sticky while its subject detection and tracking are similarly impressive. As we found on our wildlife shoot, the animal detection is just mind-blowing and an enormous point on its own. If you often enjoy that sort of photography.
What about battery life? If you’re coming from a standard DSLR, this is often a clear constriction. But we managed about four hours of very intensive shooting while using the EVF. On a typical shoot, this suggests browsing two (or, at a push, three) batteries during a day. With spares easy and comparatively cheap to return by, plus backward compatibility with the older LP-E6N battery. It’s almost the impediment it first appears.
If you’re a high-volume, high-speed filmmakeryou would possibly find the EOS R5’s heat constrictions a touch onerous. But during our half-day documentary shoot. Where we shot during a sort of format, we didn’t see any overheating warnings.
Sharp Video Footage
The video footage was also sharp and versatile for color grading. While a recent firmware update has added the Canon Log 3 (or C-Log 3) format to assist its footage slot into cinematic workflows. The mixture of stabilized RF-mount lenses and in-camera image stabilization (IBIS) also makes it possible to urge reasonably smooth shots without a gimbal.
As you’d hope at this price the Canon EOS R5 brings many smaller treats, too. The electronic viewfinder (EVF) is great and practically indistinguishable from the optical ones found in DSLRs a minimum of to our eyes. And weather-proofing is true up there with the 5D series. If almost as indestructible because of the Canon EOS 1DX Mark III.
Canon has pulled out all the stops with the EOS R5 but it had to. It had been relatively late to the mirrorless party and therefore the competition at the professional level is now fierce. But it’s Canon’s best camera for stills shooters, and a more-than-capable hybrid option for those that wish to mix that up with some video, too.
Professional filmmakers who are trying to find a hybrid camera whose priority is 4K video shooting should consider the Sony A7S II instead. And non-professionals of any kind should inspect our Canon EOS R6 review. But albeit like us, you cannot afford to justify the Canon EOS R5’s price. It’s certainly an exciting example of what happens when Canon fully commits to mirrorless.
Canon EOS R5 Review: Design and Handling
On paper, the EOS R5 could be the best hybrid mirrorless camera on the market. It’s both high resolution and full-frame, producing 8,192 x 5,464 resolution files that are controlled in, on average, at about 60MB each. That means, at the R5’s fastest continual motor mode, you’re Video/ Image shooting about 1.2GB per second. In other words, confirm you’ve budgeted for extra storage, both in your camera and reception.
Speaking of storage, the R5 brings a Premium-level solution to the table, offering both a typical SD card slot and a CFexpress slot. This enables you to either boost your camera’s available storage, shoot two 2 cards for real-time backup, or shoot raw files to at least one card and JPEGs to the opposite.
Memory cards combat more of an impact if you propose to use the R5’s movie-shooting abilities. Its higher-end video modes, including Video Capture 4K 10-bit HEVC (which is what you’ll shoot in Canon LOG or HDR PQ), 4K ALL-I 50/60fps, 4K 100/120fps, or 8K ALL-I or raw, all require a CFexpress card. We shot exclusively with SanDisk’s 512GB Extreme PRO card. Which is rated at 1,400MB/s write speed, and located that the buffer refilled at virtually the speed it had been depleted, making in-the-field workflow completely hassle-free.
Powering everything is Canon’s DIGIC X processor. It’s an equivalent chip because the one you will find within the powerhouse 1D X Mark III and kept everything ticking over as our EOS R5 voraciously gobbled up light and churned out data.
The sensor may be a new model, and this is often Canon’s first body to feature in-body image stabilization (IBIS). Together with the high-speed data throughput of the RF mount, this will combine with the image stabilization during a lens to supply, within the right circumstances, up to eight stops of image stabilization.
You get all the expected mod cons, then some. Wi-fi is there, of course, but in exotic 5GHz also as 2.4GHz. There’s an FTP client built-in, allowing press photographers to dump images to remote servers as they shoot.
Just about the sole thing not present may be a proper Ethernet socket. The Sony A9 Mark II does have one among these and pro sports photographers might lament its absence here. If you would like one, you’ll get to dig out your wallet for the Canon WTF-R10B –this upgrades the R5’s FTP client to at least one that supports SFTP. While also adding two MIMO antenna for potential connections and a Gigabit Ethernet port. Those are good niche features that will only be desirable for full-time agency photographers, though.
Of more interest to the remainder, folks are that the EOS R5’s new battery. The LP-E6NH has about 14 percent more capacity than the marginally older LC-E6N. Those that already own a Canon kit should note that the older model of the battery remains compatible with the R5. you’ll also use an influence Delivery supply to charge the R5 via its USB-C port. Saving you from popping the battery out when it’s time to recharge.
Flick the mode selector to video and you salute with yet more out-of-this-world performance. 4K, generally but up to 120fps, and with the choice of shooting raw. The headliner 8K video. Again, the choice of shooting raw is there, at 30, 25, 24, or 23.98fps, and at a galactic bitrate of roughly 2,600Mbps. Opting to shoot H.265 files at equivalent settings lowers the bitrate to about 1,300Mbps, while H.264 lowers it further to 300Mbps.
Of course, these headline figures are only a part of the video story. And Canon was forced to subsequently recalibrate expectancy a touch by publishing estimated recording times for every of the EOS R5’s modes. We’ve included that information within the table below.
Perhaps even more significant than these recording times. Particularly if you’re getting to use the Canon EOS R5 as your main video workhorse is the cool-down recovery times. It needs after shooting extended scenes. Most mirrorless video cameras overheat. But not as many need quite as long to recover because of the EOS R5.
We re-tested the Canon EOS R5’s Outstanding video performance after the arrival of its 1.1.0 firmware update. Which promised to “extend video shooting times in some situations”. You’ll read the complete results of our video tests here, but the short answer is that. While it slightly improves recovery times in some modes and situations. It isn’t a radical change from the first figures quoted for the EOS R5.
For example, when shooting 8K/30p, a 10-minute rest will then offer you only three minutes of recording time, while letting it cool for a further 20 minutes will offer you an additional eight minutes of recording.
That’s fair enough for 8K, a mode that no other mirrorless camera offers, but albeit you’re shooting 4K/60p on the EOS R5, a 10-minute rest will only offer you another 10 minutes of recording time. So for both of the EOS R5’s most demanding modes, you are still restricted to relatively short bursts.
Canon EOS R5 Review: Video Performance
Okay, let’s affect the thing everyone’s talking about right away. Yes, shooting anything above standard 4K 30p video will cause the Canon EOS R5 to heat up internally, thus necessitating recording limits to stop overheating.
Shooting 4K 30p causes no overheating issues whatsoever, So, you’ll shoot the maximum amount of video as you wish (all recordings are subject to the standard 30-minute limit per file. But you’ll record as many 30-minute files as you like). However, limitations are going to be incurred the more demanding your video settings. So shooting 4K 60p will cause the camera to overheat in about 35 minutes while shooting 8K 30p will end in overheating in about 20 minutes. Which you’ll get to allow the camera to chill down before recording again (a breakdown is often found here).
4K Video Quality
If you often shoot videos above 4K 30p, this is often definitely a problem. While it’s abnormal for any production to shoot single 20-minute takes. The overheating issue is cumulative – so if you shoot a series of shorter videos. or if you shoot a series of shorter videos, or if you shoot tons of stills. The camera innards will already start to heat up, making it very difficult to measure what proportion time. You’ll actually record for. This is often also suffering from the temperature of your location’s hot outdoor settings and direct. Sunlight will sap the record times further making things unpredictable unless you’re during a cool controlled environment.
Again, none of this is applicable to 4K 30p – and that we comfortably spent days. On end shooting both 8K 30p and 4K 60p clips in-between stills without one issue. However, if your primary interest is video first and stills second (if at all). We do not think the R5 is going to be fit for purpose – and that. We strongly recommend taking it for a test drive to form your own determination.
Canon EOS R5 Review: 8K Video Quality
If you do not fall foul of the recording limitations, though. You’ll behold an 8K video that’s astoundingly rich and detailed (and in fact, 20 minutes of 8K remains 20 minutes quite the other camera right now). While the oversampled 4K modes produce a number of the best footage we’ve ever seen. The quality line-skipped 4K feels a touch pedestrian. However, and therefore the Canon EOS R6 is really superior while this doesn’t feature line-skipping.
As you’ll see within the sample 4K videos above (at 60fps) and below (at 120fps). The standard is crystal clear and therefore the powerful IBIS truly enables you to shoot gimbal-free in most situations. Just bear in mind that if you are going to be filming 8K, oversampled 4K or 4K 120p. You’ll have to invest in one of the simplest external hard drives because you’ll refill memory cards and disk space fast. You’ll also need a really beefy computer to truly process 8K, as some won’t even open the videos – including handling editing and grading the footage.
There are other video restrictions worth being mindful of – you cannot record the more demanding video modes (RAW, 8K 4K 120p, then on) unless you’re employing a CFexpress card, so bear that in mind if you’re using MicroSD.
Accordingly, you cannot record your video to both cards, to make a redundant backup, so you’ll have to get comfortable working with proxies – and with the thought that you’ve got a card failure, you’ll lose your work. And in fact, you cannot record 8K or 4K footage using EF-S lenses, as this crops the recording area, or with the movie cropping enabled (which obviously does the same).
Canon EOS R5 Review: Stills Performance
So, apart from the video restrictions, are there the other stings within the tail? Briefly, no – everything else behaves exactly as we all hoped and expected it might.
The 45MP photographs are stunning, with a crisp detail that will or might not match the 5DS/R in terms of pure resolution. But has taken side-by-side they certainly pass the eyeball test and appearance equally nearly as good. That said we were surprised that the 5D Mark IV actually outperforms the R5. When it involves ISO performance and dynamic range. If you’re somebody who wants maximum play from your files in post-production (such as for landscape photography). If you would like the cleanest files at high ISOs the four-year-old DSLR will offer you slightly better results.
A more pleasant surprise is that the 35MP Frame Grabs that you simply can extract from the 8K video. This is often the technology that has been seen in other cameras before. But never with the extent of detail and fidelity saw here. Simply scrub through your 8K footage on the rear of the camera pinpoint the frame. You would like as a still, and push a button to supply a 35MP image – and it isn’t the type of blurry, low-res still. You get once you screenshot a YouTube video; it’s a pristine high-resolution file that appears love. iI was taken as a photograph on a camera with a really, excellent 35 MP sensor.
JPG and Video Performance
Of course, being that it’s a JPG taken from a video, you get virtually zero dynamic range to play with – the video exposure is baked in so you can’t recover anything from blown-out highlights (though there’s still data to recover within the shadows). Still, as long as your lighting is true in the first place. Yes – you’ll literally now film your photoshoot as a video, and easily pull the still frames. You would like it afterward. Cheating or not, it works and it’s brilliant.
Speaking of cheating, that’s what the new Animal AF is it’s literally a cheat code for excellent wildlife photography. Canon’s new Deep Learning algorithm is so good that each one you’ve got to try to point your camera at an animal and therefore the R5 will recognize, track it and even specialize in the eyes.
No got to move any focus points, no got to touch the joystick at all; just set the camera to ‘Subject: Animals’, stick it in C-AF, and hold it towards an animal. Canon only certifies it for dogs, cats, and birds, but we successfully tested it on lions, monkeys, turtles, iguanas, fish, skunks, meerkats, raccoons, and squirrels, Fennec foxes… if it’s got eyes and a face, the R5 will nearly certainly recognize it.
No exaggeration, this is often genuinely game-changing technology that’s likely to place tons of wildlife photographers out of business. Because you’ll put this camera within the hands of your children, and that they would click from the zoo with an entire load of in-focus pictures of animals. It’s that easy which is good.
Canon has the best Auto Focus
And obviously, the AF is even better when it involves shooting human subjects with a witchcraft-like ability to seek out and specialize in faces and eyes in a moment – even. When features are removed or your tracking gets interrupted by hands, objects, or passers-by. You’ll safely tell your Sony-owning friends that yes, Canon now has the best autofocus in town – it really is sorcery.
Best of all, these autofocus functions are all 100% available and effective when shooting video also. So whether you’re filming videos of the bride and groom at a marriage or footage of untamed animals chasing one another across the Serengeti. The Canon EOS R5 will find your subjects and specialize in them. The AF is spookily good – it’s just a hesitation that the R5 is haunted by the specter of its video.
Worth mentioning is that the latest implementation of Canon’s Dual Pixel RAW tech. This feature which makes use of both photodiodes on one pixel was previously seen on the 5D Mark IV to ever-so-slightly change the main target in your images. While that was in most cases unconvincing here the technology is far more mature – and truly might be incredibly useful.
On the R5 you’ll change the clarity of your backgrounds (as if adjusting an equivalent slider in Photoshop). But more impressively you’ll add a lighting source and modifier to vary the lighting of your images in-camera. So, if you’ve got an underexposed face and you would like to feature a key light with barn doors to selectively brighten it. You’ll roll in the hay without Photoshop – and it works pretty much, especially using the touchscreen.
The Canon EOS R5 may be a real Jekyll and Hyde product. For photography. It’s absolutely the camera to beat. Though the A7R IV has more megapixels, and while we’re surprised that the 5D Mark IV has superior ISO and dynamic range. The gestalt properties of the R5 –the resolution, frame rates, IBIS, autofocus – make this hands-down. The king of the all-around, lofty resolution, high-speed photography.
The autofocus really cannot be overstated. If you’re taking pictures of individuals or animals. You’ll automatically enjoy the benefits that the R5 delivers. We’d go thus far to say that not only is it the best camera for wildlife photography. But that any serious wildlife shooter should really believe in adopting it.
The image stabilization within the EOS R5 is the finest we’ve used on any full-frame system. And is merely bested by Micro Four Thirds cameras from Olympus and Panasonic. Which feature superior IBIS because their sensors are so much smaller. It makes such a distinction whether. You’re shooting in low light with long shutter speeds on long lenses for filming video without a gimbal.
MR. Hyde Equation
Alas, the video is the Mr. Hyde of the equation. The truth is that we can’t recommend the Canon EOS R5 if your primary interest is pure video shooting. Don’t get us wrong, its video is unbelievable – but having to navigate the overheating restrictions prohibits this from being an A camera (unless you simply shoot 4K 30p, during which case you don’t need this anyway).
It’s perfectly possible to never once run into the recording limitations if you simply film videos that are a couple of minutes long, which for several people will actually be fine. And briefly, bursts, its top-tier 4K and 8K modes are truly stunning – but the more video you shoot, the less usable it becomes, making it hard to recommend for video-first use when there are other cameras that Good shoot above 4K 30p with no limits. Sadly, it isn’t the magic camera that content creators and cinematographers hoped for.
However, as a stills camera, the R5 is just Canon’s finest product ever. It’s the right amalgamation of the EOS R’s form, the EOS 5D’s function, and therefore the professional-grade autofocus of the EOS-1D X. If you’re stills or hybrid shooter who flits between photography and videography, the Canon EOS R5 may be a remarkable piece of technology and one among the simplest cameras you’ll ever have the pleasure of using.